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Becomes clear complete description of Master and Commander: The Far Side of the World below:
- Original Title : Master and Commander: The Far Side of the World
- Movie title in your country : Master and Commander: The Far Side of the World
- Year of movie : 2003
- Genres of movie : Adventure,
- Status of movie : Released
- Release date of movie : 2003-11-14
- Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
- Countries of movie : United States of America,
- Language of movie : Français, Português, English,
- Durationof movie : 138 Min
- Average vote of movie : 6.9
- Youtube ID of movie : 4wDVf5Tkc88
- Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
- Actors of movie :Paul Bettany (Dr. Stephen Maturin), Robert Pugh (Mr. Allen), James D'Arcy (1st Lt. Tom Pullings), Thierry Segall (French Captain), David Threlfall (Preserved Killick), Lee Ingleby (Hollom), William Mannering (Faster Doudle), George Innes (Joe Plaice), Max Benitz (Calamy), Richard McCabe (Mr. Higgins), John DeSantis (Padeen), Chris Larkin (Capt. Howard), Alex Palmer (Nehemiah Slade), Bryan Dick (Joseph Nagle), Max Pirkis (Blakeney), Patrick Gallagher (Awkward Davies), Richard Pates (Williamson), Edward Woodall (2nd Lt. William Mowett), Russell Crowe (Captain Jack Aubrey), Billy Boyd (Barrent Bonden), Joseph Morgan (William Warley, Tony Dolan (Mr. Lamb), Mark Lewis Jones (Mr. Hogg), Cpt. of Mizzentop), Ousmane Thiam (Black Bill), Jack Randall (Boyle), Ian Mercer (Mr. Hollar)
Master and Commander: The Far Side of the World is the greatest movie created by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, that comes with a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and finest starring actors.
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Co-Producer : Bob Weinstein, Armorer : Steve Auvenshine, Casting : Mary Selway, Original Music Composer : Richard Tognetti, Camera Operator : Matthew J. Siegel, Camera Operator : Guillermo Rosas, Leadman : Christopher Neely, Producer : Samuel Goldwyn Jr., Visual Effects Producer : Stephanie Hornish, Grip : Chris Centrella, Casting Associate : Nicole Hilliard-Forde, Studio Teachers : Maxine Arbarbara, Executive Visual Effects Producer : Blondel Aidoo, Visual Effects Supervisor : Mitchell S. Drain, Quality Control Supervisor : Timothy Michael Cairns, Hair Department Head : Yolanda Toussieng, Visual Effects Supervisor : Pablo Helman, Co-Producer : Meyer Gottlieb, Special Effects Coordinator : Daniel Sudick, Scoring Mixer : Robert Fernandez, Unit Publicist : Sandy O'Neill, Editor : Lee Smith, Craft Service : Orlando Chongo, Visual Effects Editor : Tom Barrett, Digital Intermediate : Hilda Saffari, Construction Foreman : James Arrigo, Co-Producer : Harvey Weinstein, Original Music Composer : Iva Davies, Video Assist Operator : Adam Barth, Production Office Coordinator : Derek Jan Vermaas, Rigging Gaffer : Stephen Johnstone, Set Dressing Artist : Giovanni Bianchini, Seamstress : Marcelina Barraza, Stunt Coordinator : Daniel W. Barringer, 3D Supervisor : Christopher Bonnstetter, Production Illustrator : Daren Dochterman, Production Coordinator : Andy Foster, Post Production Supervisor : Jeffrey Harlacker, Sequence Supervisor : Jay Cooper, Art Department Coordinator : Gerald Lehtola, First Assistant Sound Editor : Linda Yeaney, Visual Effects Supervisor : Stefen Fangmeier, Visual Effects Producer : Jeff Werner, Translator : Quincy Perkins, Sound Effects Editor : Michael W. Mitchell, Set Designer : Mark Hitchler, Steadicam Operator : Harry K. Garvin, Digital Compositors : Kathleen Beeler, Best Boy Electric : Rick Maddux, Digital Effects Supervisor : David Ebner, Production Design : William Sandell, Camera Operator : Martha Susana Ramos, Production Sound Mixer : Art Rochester, Stunts : Joey Anaya, Set Costumer : Javier Arrieta, Dialogue Editor : Hugo Weng, Sound Designer : Richard King, Rigging Grip : Oscar Gomez, Set Dressing Supervisor : Jennifer Lewicki, First Assistant Camera : Robert Hill, Makeup Department Head : Edouard F. Henriques, Helicopter Camera : Phil Pastuhov, Construction Coordinator : Gary Deaton, Original Music Composer : Christopher Gordon, Propmaker : Bobby Mara, Art Direction : Bruce Crone, Visual Effects Producer : Julia Frey, Music Editor : Simon Leadley, Visual Effects Editor : Kosta Saric, Dialect Coach : Judy Dickerson, Script Supervisor : Brenda Lopez, Executive Producer : Alan B. Curtiss, Script Supervisor : Wilma Garscadden-Gahret, Sound Re-Recording Mixer : Paul Massey, Producer : Peter Weir, Costume Supervisor : Dawn Y. Line, Producer : Duncan Henderson, Dolby Consultant : Andy Potvin, Makeup Artist : Robin Beauchesne, Art Direction : Marco Niro, Electrician : Willie E. Dawkins, Foley : Gary A. Hecker, Unit Manager : Rafael Cuervo, Color Timer : Jim Passon, Screenplay : John Collee, Standby Painter : Anthony Gaudio, Storyboard : David Russell, Thanks : Christopher Terrill, Co-Producer : Todd Arnow, Art Direction : Mark W. Mansbridge, Transportation Coordinator : Russell McEntyre, Transportation Captain : Wayne Stone, Novel : Patrick O'Brian, Screenplay : Peter Weir, Studio Teachers : Judith M. Brown, Post Production Assistant : Sassica Francis-Bruce, Stand In : David Oliver, Makeup Effects : Gabriel De Cunto, First Assistant Editor : John Lee, Lighting Artist : Michael Sean Foley, Sound Re-Recording Mixer : Doug Hemphill, Stunt Coordinator : Doug Coleman, Costume Design : Wendy Stites, Telecine Colorist : Eric Putz, Camera Operator : George Billinger III, Researcher : Brice Criswell, Visual Effects Coordinator : Kimberly Adams, Set Designer : Nick Navarro, Layout : Dani Morrow, Director : Peter Weir, Set Medic : Jeffrey D. Stevens, Still Photographer : Stephen Vaughan, Assistant Art Director : Kevin Ishioka, Assistant Director : Alan B. Curtiss, Utility Stunts : Mitch Toles, Location Manager : Michael John Meehan, Loader : Sal Alvarez, Hairstylist : Edith I. Amezcua, Camera Operator : Don Reddy, Set Decoration : Robert Gould, Second Unit Cinematographer : David R. Ellis, Visual Effects Producer : Helen Elswit, Line Producer : Bridget Bourke, Production Accountant : Jen Hutchinson, Gaffer : David Lee, Casting : Fiona Weir, Driver : Tom Gilhooley, Technical Supervisor : Brian Gee, Set Designer : Manuel Martínez, Camera Operator : Jamie Barber, Post-Production Manager : Patrick Esposito, Boom Operator : Jeffrey A. Humphreys, Projection : Larry Hoki, Set Designer : Carlos Benassini, Sound Recordist : Tim Gomillion, Lighting Technician : Derick Pritchard, I/O Supervisor : Brian Cuscino, Unit Production Manager : Todd Arnow, Art Direction : Héctor Romero, Property Master : Doug Harlocker, Set Designer : Bill Hiney, Foley : Nancy Parker, Director of Photography : Russell Boyd, Set Production Assistant : Heather Anderson
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